The summer 2011 issue of Comparative Drama, volume 45.2, was published online at Project MUSE in August. Hard copies of this issue will begin mailing by mid-September.
This issue includes the following contributions:
Essays
How to Do Witchcraft Tragedy with Speech Acts
Eric Byville
A “Birthright into a New World”: Representing the Town on Brome’s Stage
Denys Van Renen
Remaking the Chorus: Charles Mee Jr.’s Orestes 2.0
Peter Campbell
Fear Mongering, Media Intimidation, and Political Machinations: Tracing the Agendas Behind the All God’s Chillun Got Wings Controversy
Jeffrey Ullom
Performative Reading and Receiving a Performance of the Jour du Jugement in MS Besançon 579
Karlyn Griffith
Reviews
The Ethos of Drama; Rhetorical Theory and Dramatic Worth
by Robert L. King
reviewed by Martin J. Plax
Philosophers and Thespians: Thinking Performance
by Freddie Rokem
reviewed by Lydia Goehr
Shakespeare, Sex, and Love
by Stanley Wells
reviewed by Elizabeth Klett
Shakespeare and Biography
by David Bevington
reviewed by R. A. Foakes
Don Pedro Calderón
by Don W. Cruikshank
reviewed by Hilaire Kallendorf
Staging Spectatorship in the Plays of Philip Massinger
by Joanne Rochester
reviewed by Julie Sanders
Shakespeare’s Opposites: The Admiral’s Company 1594-1625
by Andrew Gurr
reviewed by Melissa D. Aaron
Shakespeare, Politics, and Italy: Intertexuality on the Jacobean Stage
by Michael J. Redmond
reviewed by Jason Lawrence
Euripides: Suppliant Women
by Ian C. Storey
reviewed by Eric Dugdale
Saturday, September 3, 2011
Wednesday, August 31, 2011
Adam Pasen and Joe Sanders earn recognition at American College Theater Festival.
Adam's play "Spats," which was a regional winner at ACTF last January, was a co-winner along with Joe Sanders' play "Fly-Over State" at the Actors' Theatre of Grand Rapids "Living on the Edge VIII: Secrets and Lies" festival of new 10-minute works. It was also in the top 40 for the Samuel French Off-Off Broadway Festival in New York under a pseudonym, and performed at the Lion Theatre on 42nd Street. Here is the website: http://oob.samuelfrench.com/index.php/the-final-forty/spats-by-adrian-singleton/
Adam's dissertation play Tea with Edie and Fitz, which was produced in York Arena in July, has been awarded an Arch and Bruce Brown Foundation grant of $1000. The Foundation awards grants to projects that present LGBT figures in an actual historical context, and awarded the grant based on Tea's exploration of the sexual and gender dynamics between Zelda and Scott Fitzgerald as well as Henry James' struggle with his own latent desires.
Adam's dissertation play Tea with Edie and Fitz, which was produced in York Arena in July, has been awarded an Arch and Bruce Brown Foundation grant of $1000. The Foundation awards grants to projects that present LGBT figures in an actual historical context, and awarded the grant based on Tea's exploration of the sexual and gender dynamics between Zelda and Scott Fitzgerald as well as Henry James' struggle with his own latent desires.
Tuesday, August 30, 2011
Fall 2011
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Wednesday, August 24, 2011
New Issues Event Sunday, August 28
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Labels:
Bonnie Jo Campbell,
jaimy gordon,
New Issues,
Poetry Reading
Monday, August 15, 2011
Desire—Grad Conference@CUNY (Nov. 2011)
CUNY Graduate Center (365 5th Avenue, New York, New York)
November 10-11, 2011
Desire: From Eros to Eroticism
The students of the Department of Comparative Literature at the City University of New York Graduate Center present an interdisciplinary graduate student conference on November 10-11, 2011.
The concept of desire has been the subject of much examination throughout centuries of literature. From the ancient Greek idea of eros to psychological analysis of the subject through contemporary negotiations of love and desire, the interpretation of desire has evolved, but it has always held a central role in literature and discourse. Desire serves as the motivation for action, and yet the most satisfying desire is often the one that remains unfulfilled. This conference will explore desire as it impels us forward in our pursuit of an end that may ultimately be unattainable.
We invite papers from all disciplines focusing on works from any period that explore desire as it is portrayed in literature, philosophy, theory, art, film, or society. Some of the questions this conference seeks to answer include, but are not limited to:
• How does desire serve as a motivating force?
• Must desire be fulfilled or does it serve another purpose?
• In what ways are the repercussions of desire demonstrated?
• How has the definition of desire evolved between different cultures or time periods?
• In what way does desire figure into political landscapes, contemporary or otherwise?
• What is the relationship between desire and cultural production and entertainment in the age of the Internet and other technologies?
• How does an author’s desire factor into the creation of a text?
• How does a character’s lack of desire affect the text?
• How does comprehension of desire help us to explore the human psyche?
• How is desiring the “undesirable” presented and addressed?
• How does desire relate to discussions of gender, sexuality, race, and other intersections of sexual politics?
• How does desire relate to other concepts such as love, seduction, intoxication, and pleasure?
Please submit a 300 word abstract for a 15-20 minute paper by September 15, 2011 to desireconference2011@gmail.com. Proposals should include the title of the paper, presenter’s name, institutional and departmental affiliation, and any technology requests. We also welcome panel proposals of three to four papers.
This conference is co-sponsored by the Writers’ Institute at the City University of New York Graduate Center, an un-MFA program devoted to bringing together the country’s most talented writers and today’s most celebrated editors, and by the Doctoral Students’ Council, the sole policymaking body representing students in doctoral and master’s programs at the Graduate Center of the City University of New York.
November 10-11, 2011
Desire: From Eros to Eroticism
The students of the Department of Comparative Literature at the City University of New York Graduate Center present an interdisciplinary graduate student conference on November 10-11, 2011.
The concept of desire has been the subject of much examination throughout centuries of literature. From the ancient Greek idea of eros to psychological analysis of the subject through contemporary negotiations of love and desire, the interpretation of desire has evolved, but it has always held a central role in literature and discourse. Desire serves as the motivation for action, and yet the most satisfying desire is often the one that remains unfulfilled. This conference will explore desire as it impels us forward in our pursuit of an end that may ultimately be unattainable.
We invite papers from all disciplines focusing on works from any period that explore desire as it is portrayed in literature, philosophy, theory, art, film, or society. Some of the questions this conference seeks to answer include, but are not limited to:
• How does desire serve as a motivating force?
• Must desire be fulfilled or does it serve another purpose?
• In what ways are the repercussions of desire demonstrated?
• How has the definition of desire evolved between different cultures or time periods?
• In what way does desire figure into political landscapes, contemporary or otherwise?
• What is the relationship between desire and cultural production and entertainment in the age of the Internet and other technologies?
• How does an author’s desire factor into the creation of a text?
• How does a character’s lack of desire affect the text?
• How does comprehension of desire help us to explore the human psyche?
• How is desiring the “undesirable” presented and addressed?
• How does desire relate to discussions of gender, sexuality, race, and other intersections of sexual politics?
• How does desire relate to other concepts such as love, seduction, intoxication, and pleasure?
Please submit a 300 word abstract for a 15-20 minute paper by September 15, 2011 to desireconference2011@gmail.com. Proposals should include the title of the paper, presenter’s name, institutional and departmental affiliation, and any technology requests. We also welcome panel proposals of three to four papers.
This conference is co-sponsored by the Writers’ Institute at the City University of New York Graduate Center, an un-MFA program devoted to bringing together the country’s most talented writers and today’s most celebrated editors, and by the Doctoral Students’ Council, the sole policymaking body representing students in doctoral and master’s programs at the Graduate Center of the City University of New York.
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