The latest issue of Comparative Drama has been published on-line at Project MUSE. Print copies will be available soon.
Volume 46.3 is a special issue entitled Transcultural Poetics and the “Worlding” of Drama and was guest edited by Professor Ranjan Ghosh from The University of North Bengal, India. This issue contains the following contributions:
Introduction: Reading and Experiencing a Play Transculturally
Ranjan Ghosh
Zen and the Art of Self-Negation in Samuel Beckett’s Not I
Kyle Gillette
Snapshots of a Shakespearean in China
Sidney Homan
American Students Performing the Foreignness of Human Culture in Foreign Drama
Les Essif
Authentic Protest, Authentic Shakespeare, Authentic Africans: Performing Othello in South Africa
Natasha Distiller
On the Tragedy of the Commoner Elektra, Orestes and Others in South Africa
Loren Kruger
Fugard, Kani, Ntshona’s The Island: Antigone as South African Drama
Robert Gordon
Hamlet the Difference Machine
Stephen Barker
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