The winter issue of Comparative Drama arrived from press this week. Volume 46.4, which is also available online through Project MUSE, includes the following contributions:
Essays
“The Split Screen Syndrome”: Structuring (Non)Seeing in Two Plays on Abu Ghraib
Katarzyna Beilin
Brian Friel’s Transformation from Short Fiction Writer to Dramatist
Richard Rankin Russell
Plays and Playcoats: A Courtly Interlude Tradition in Scotland?
Sarah Carpenter
Staging the Convent as Refuge in The Jew of Malta and Measure for Measure
Kimberly Reigle
“Not to Be Altered”: Performance’s Efficacy and Audience Reaction in The Roman Actor
Eric Dunnum
Reviews
The Tragic Paradox
by Leonard Moss
reviewed by: Jennifer Wallace
Memories of Chekhov: Accounts of the Writer from his Family, Friends and Contemporaries
ed. and trans. by Peter Sekirin
reviewed by: Valleri Hohman
Puppet: An Essay on Uncanny Life
by Kenneth Gross
reviewed by: Claudia Orenstein
Mei Lanfang and the Twentieth-Century International Stage: Chinese Theatre Place and Displaced
by Min Tian
reviewed by: Cecilia Pang
Image Ethics in Shakespeare and Spenser
by James A. Knapp
reviewed by: Jane Kingsley-Smith
Pioneer Performances: Staging the Frontier
by Matthew Rebhorn
reviewed by: Nic Witschi
Hamlet’s Arab Journey: Shakespeare’s Prince and Nasser’s Ghost
by Margaret Litvin
reviewed by: Khalid Amine
Intimacy and Sexuality in the Age of Shakespeare
by James M. Bromley
reviewed by: Gina Bloom
Shaw, Plato, and Euripides: Classical Currents in "Major Barbara"
by Sidney P. Albert
reviewed by: David Kornhaber
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