Sunday, October 27, 2013
Saturday, October 26, 2013
New C19 Journal Solicits Material
The VIGoR group at the University of Texas at Austin is soliciting submissions for the inaugural issue of its new journal, Contact. Contact is an experimental, interdisciplinary journal devoted to investigating the world of nineteenth century letters and will be published twice a year. The theme for our first issue is “Encounters”.
We are looking for a wide range of interdisciplinary submissions, from longer academic papers (5-8k words) to short essays (1-2k words). Shorter essays might offer reactions to recent conference panels and publications, describe provocative archival finds, or propose fresh critical approaches. Submissions should be sent to contact.submissions@utexas.edu for consideration in the Spring 2014 issue.
Please review the attached CFP and visit http://contact.dwrl.utexas.edu/ for more details.
We look forward to reviewing your submissions,
VIGoR
http://contact.dwrl.utexas.edu/
Lindsey Gay
Departments of English and Rhetoric
The University of Texas at Austin
We are looking for a wide range of interdisciplinary submissions, from longer academic papers (5-8k words) to short essays (1-2k words). Shorter essays might offer reactions to recent conference panels and publications, describe provocative archival finds, or propose fresh critical approaches. Submissions should be sent to contact.submissions@utexas.edu for consideration in the Spring 2014 issue.
Please review the attached CFP and visit http://contact.dwrl.utexas.edu/ for more details.
We look forward to reviewing your submissions,
VIGoR
http://contact.dwrl.utexas.edu/
Lindsey Gay
Departments of English and Rhetoric
The University of Texas at Austin
Friday, October 25, 2013
Fellowship Opportunity
Rare
Book School welcomes applications to the Andrew
W. Mellon Fellowship of Scholars in Critical Bibliography. The aim of this
Mellon Foundation-funded fellowship program is to reinvigorate bibliographical
studies within the humanities by introducing doctoral candidates, postdoctoral
fellows, and junior faculty to specialized skills, methods, and professional
networks for conducting advanced research with material texts. RBS selected its
first twenty Mellon Fellows in the spring of 2013, and will admit an additional
twenty fellows to the program in the spring of 2014.
Fellows will receive funding for Rare Book School course attendance, as well as generous stipends, and support for research-related travel to special collections, over the course of three years. Weeklong intensive courses offered at Rare Book School include: "The History of the Book in America, c.1700-1830," taught by James N. Green of the Library Company of Philadelphia; "The History of European & American Papermaking," co-taught by 2009 MacArthur Fellow Timothy Barrett of the University of Iowa, and John Bidwell of the Morgan Library & Museum; and "The History of the Book in America: A Survey from Colonial to Modern," taught by Michael Winship of the University of Texas at Austin.
The deadline for application to the program is DECEMBER 2, 2013. Applicants must be doctoral candidates (post-qualifying exams), postdoctoral fellows, or junior (untenured) faculty in the humanities at a U.S. institution at time of application. Interested scholars are encouraged to apply as soon as possible. For more details, please visit: http://www.rarebookschool.org/fellowships/mellon
Fellows will receive funding for Rare Book School course attendance, as well as generous stipends, and support for research-related travel to special collections, over the course of three years. Weeklong intensive courses offered at Rare Book School include: "The History of the Book in America, c.1700-1830," taught by James N. Green of the Library Company of Philadelphia; "The History of European & American Papermaking," co-taught by 2009 MacArthur Fellow Timothy Barrett of the University of Iowa, and John Bidwell of the Morgan Library & Museum; and "The History of the Book in America: A Survey from Colonial to Modern," taught by Michael Winship of the University of Texas at Austin.
The deadline for application to the program is DECEMBER 2, 2013. Applicants must be doctoral candidates (post-qualifying exams), postdoctoral fellows, or junior (untenured) faculty in the humanities at a U.S. institution at time of application. Interested scholars are encouraged to apply as soon as possible. For more details, please visit: http://www.rarebookschool.org/fellowships/mellon
Monday, October 21, 2013
Friday, October 18, 2013
Thursday, October 17, 2013
Gottlieb Lecture & Reception~10/15/13
Prof. Evan Gottlieb addresses the audience during his recent visit to WMU as part of the 2012-13 Scholarly Speakers Series. His stimulating new research on the early dynamics of globalism in the late eighteenth- and early nineteenth-century explored how "sympathetic cosmopolitanism" plays a shaping role in the literary and cultural contexts of a revolutionary era that began to construct a "global imaginary" much earlier than has been supposed in much previous scholarship.
Monday, October 14, 2013
English 4100, spring 2014: Holy Road Trips
Professors Eve Salisbury and Grace Tiffany invite you to grab your sandals and walking stick and get on the road! With Chaucer’s Canterbury pilgrims and Jack Kerouac’s Beat Poet buddies, with Shakespeare’s seafaring Pericles, with American Indians bound for sacred mountains, with Jon Krakaeur following an ill-fated explorer into the Alaskan wilderness, with Paul Simon to Graceland, and across the Australian outback with Priscilla, Queen of the Desert, we’ll go in spirit on a semester-long literary road trip. The class will meet from noon to 1:40 Tuesdays and Thursdays in Brown 3003. (Baccalaureate-level writing course, 4 credits.)
Thursday, October 10, 2013
Pride and Prejudice Film Festival Finalized: 10/17 - 10/23
Monday, October 7, 2013
ROBERT HAYDEN: A CENTENNIAL CONFERENCE
The Department of English at the
University of Michigan has announced plans for a one-day conference on November
1, 2013 in honor of Robert Hayden, the distinguished poet and educator who grew
up in Detroit, received an M.A. degree from the University of Michigan in 1944
and returned to teach at the university in 1970 as Professor of English until
his death in 1980.
Hayden has emerged as a major figure in American literary history. He is the leader, along with Gwendolyn
Brooks, of the generation of African American poets that emerged in the 1940s
to achieve widespread critical attention and a massive presence in anthologies
and textbooks. He served as Poetry Consultant
to the Library of Congress (the position now known as Poet Laureate of the
United States) from 1976-1978. The U.S.
Post Office issued a postage stamp in 2012 to honor his achievement.
The keynote address of the conference, to be held in the Rackham
Amphitheater, will be delivered by Harryette Mullen, Professor of English and
Creative Writing at UCLA, a Guggenheim Fellow (among other honors), and a
finalist for the National Book Award and the National Book Critics Circle
Award. Her volume of essays and
interviews, The Cracks Between What We
Are and What We Are Supposed to Be, appeared in 2012.
Professor Mullen will be introduced by A. Van Jordan of the U-M
faculty. A panel discussion in early
afternoon will include Harryette Mullen, Linda Gregerson (of the U-M faculty),
Lawrence Joseph, a Detroit native and one of the most distinguished
Arab-American poets of our time, and Frederick Glaysher, editor of Hayden’s Collected Poems and Collected Prose. Laurence
Goldstein, Professor of English and co-editor (with Robert Chrisman) of Robert Hayden: Essays on the Poetry (University of
Michigan Press, 2001), will serve as panel moderator.
In
late afternoon, MFA students will read from and speak about Hayden’s poems,
along with other participants in the conference.
The conference is free and open to the public.
Timetable:
10 a.m. Keynote address by Harryette Mullen
12-1:30 p.m. Lunch at various restaurants around campus
1:30-3:00 p.m. Panel discussion
3:30-5:00 p.m. Readings and remarks
by audience members
Sunday, October 6, 2013
WMU Students: Sign up for ENGL 4100: Holy Road Trips
Holy Road Trips:
Medieval,
Renaissance, and American Pilgrimages
Professors
Eve Salisbury and Grace Tiffany
English 4100
Spring, 2014
TR 12-1:40
Brown 3003
Grab
your sandals and walking stick, and get on the road! With Chaucer’s Canterbury
pilgrims and Jack Kerouac’s Beat Poet buddies, with Shakespeare’s seafaring
Pericles, with American Indians bound for sacred mountains, with Jon Krakaeur
following an ill-fated explorer into the Alaskan wilderness, with Paul Simon to
Graceland, and across the Australian outback with Priscilla, Queen of the
Desert, we’ll go in spirit on a semester-long literary road trip.
(Baccalaureate-level writing course, 4 credits.)
Thursday, October 3, 2013
Nagle Presents at International Romanticism Conference
Chris Nagle recently returned from the 20th Anniversary Meeting of the International Conference on Romanticism, held this year in Rochester, MI at Oakland University and the Royal Park Hotel. He and his collaborator, Courtney Wennerstrom (Indiana University), presented a paper on the short fiction of the Marquis de Sade, which focused on the so-called "gothic tales" that were part of the Contes et Fabliaux d’un Troubadour Provencal du XVIII Siecle. The two argued that these under-examined works bear significance to a new understanding of the polyamorous dynamics underwriting Enlightenment and early Romantic conjugality, and ultimately, to a global reassessment of Sade's contribution to generic innovation at the fin de siècle.
Springtime in the South
“Economies”
The Inaugural American Literature Graduate
Conference at
The University of South Carolina, Columbia
The English Department at the University of South Carolina is pleased to
announce its inaugural Graduate American Literature Conference on the theme of
“Economies.” We are currently accepting
individual paper and panel proposals addressing all aspects of economies: What
is an economy? What kinds of economies exist? How do economies impose
themselves on literature, and vice versa? How do economies affect genre?
In addition, we will hold a Roundtable with USC English Faculty on the
future of American Studies. USC
Americanist faculty includes Kate Adams, Bob Brinkmeyer, Mark Cooper, Susan Courtney, David Cowart, Cynthia
Davis, Alao Folashade, Greg Forter, Brian Glavey, David Greven, Leon Jackson, Catherine Keyser, Marvin McAlister, Tara
Powell, Sara Schwebel, David Shields, Scott Trafton, Susan Vandenborg, Qiana Whitted, and Gretchen
Woertendyke. Plenary and Keynote
speakers TBA.
The Special Collections of the Thomas Cooper
library houses the complete archive of William Gilmore Simms and substantive
collections on the works of F. Scott Fitzgerald, Ernest Hemingway, Norman
Mailer, Joseph Heller, Kaye Gibbons, and James Ellroy, among many others and
welcomes visiting scholars.
Single paper abstracts should be 250-500 words. Panel proposals should
include an abstract for each paper as well as a description of the panel's
objective not to exceed 550 words.
Please also include, with all proposals and applicants, full name and
contact information, as well as institutional affiliation and a CV.
The deadline for proposal
submissions is Dec 9th, 2013.
Notification of acceptance will occur
no later than Jan 9th, 2014.
Interpretations of the theme may include but are not restricted to:
-- Financial, moral, emotional, racial, ethnic, cultural, consumerist,
historical, modern, fictional, speculative, geographical, agricultural,
industrial, post-industrial, urban, rural, trade, public, private, gender,
feminist, sexual, queer, social, domestic, interpersonal, educational,
academic, regional, national, international, transglobal, transatlantic,
imaginary, physical, literary, print, media, information, capitalist, imperial,
oligarchic, feudal, mercantile, military, wartime, maritime, economies of vice,
business, transport, climatological, economic hubs (financial centers, ports,
etc.), economies of scale, micro, macro
-- Marxist, Keynesian, Utopian,
Dystopian, Jeffersonian, Agrarian, Libertarian, Conservative, (Neo-)Liberal
-- Economic causes/effects in
literature: moments of crisis, recovery, downturn, depression, development,
gentrification, oppression, ghettoization, revolution
Please send proposals as well as any questions to,
Sincerely,
The Graduate
American Literature Colloquium
Department of
English
Wednesday, October 2, 2013
Rob Bixby/March Street Press Reading, Saturday, Oct. 5
This weekend, the English Department is proud to sponsor the Rob Bixby/March Street Press Reading and Tribute (2:00-4:00PM), Saturday, October 5, Richmond Center.
Ten poets and writers with Michigan ties will gather to read
their work and to celebrate the life and contribution of Robert J. Bixby
(Masters of Social Work from WMU), fiction writer, editor, and publisher of
March Street Press, who died last fall. All of the visitors have had books
published by Robert Bixby; all will come at their own expense and will donate
the proceeds from sales of their books to help fund the Robert J. Bixby Award
in Creative Writing, established this spring with a gift from Bixby’s widow,
Kathy Bixby.
Readers: Arnie
Johnston, Deborah Ann Percy, David R. James, Josie Kearns, Elizabeth
Kerlikowske, Lynn Pattison, Beverly Matherne, Keith Taylor, Rosalie Sanara
Petrouske, John Rybicki, and Eric Torgersen.
This event is sponsored by the Creative
Writing Program, the Department of English, the WMU Development Office, and the
WMU Libraries. Free and open to the
public. Refreshments
will be served and a book signing follows the reading. Book sales will be
handled by Dean Hauck of Kalamazoo’s Michigan News Agency.
For more information about the event, please contact Arnie
Johnston at 269-870-0703, arnie.johnston@wmich.edu or Anne
Tappan Strother, anne.t.strother@wmich.edu.
Tuesday, October 1, 2013
PAINT, by Grace Tiffany, issued by Bagwyn Books
Grace Tiffany's new novel, Paint, has been published today by Bagwyn Books, an imprint of the Arizona Center for Medieval and Renaissance Studies. Paint is based on the life of the early modern poet Emilia Lanier. Grace discusses Paint and the horrors of Elizabethan makeup in her October blog post at www.shakespearefiction.blogspot.com.
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