Fall 2011

New Issues Poetry & Prose FALL 2011  Fall releases from New Issues by Susanna Childress, Lizzie Hutton, and Rachel Eliza Griffiths are now available for pre-order. About Us New Issues was established in 1996 by poet Herbert S. Scott.    Winner of the 2011 New Issues Poetry Prize Andrew Allport has won the 2011 New Issues Poetry Prize for his manuscript the body | of space | in the shape of the human. David Wojahn, author of World Tree, judged. Andrew wins a $2,000 award and publication of his manuscript in the spring of 2012 Dear Friends, Thank you so much for making our anniversary a success! We had a wonderful time, and enjoyed a sampling of Susanna Childress' and Lizzie Hutton's new works, which will be available very soon. Here's a preview of our third fall release, Rachel Eliza Griffiths' Mule & Pear: Mule & Pear, New Poems by Rachel Eliza Griffiths Sincerely, Kimberly Kolbe New Issues Poetry & Prose Here's a poet whose intelligence and imagination value truth above any of its enemies: comfort, decoration, lovely music, the blurring of the line between the personal and the human. The poems feel emotionally and intellectually spontaneous, as if we were present at their coming-into-being, a genuine writer-reader intimacy that's hard to achieve at any stage, let alone in a first book. The poems about childhood and adolescence are among the most powerful I've ever read. Tough, sexy, probing, tender, devoid of sentimentality, fiercely intelligent, and always a step ahead of the reader, She'd Waited Millennia is an important debut. --Chase Twichell Susanna Childress writes at the cutting edge of the long tradition of love poetry. Her poems often involve tense negotiations between a sharp cultural intelligence and a body that craves its fulfillment. She writes with grace about love and lust, and she unfailingly delivers rhythmic and linguistic pleasures to her lucky readers as they follow the course of these inquisitive, unpredictable poems. --Billy Collins Smart, nuanced, lush in their beauty, yetnever unaware of beauty's price, the poems in Mule & Pear meditate on what to do with the ghosts of history by which, as if inevitably, we find ourselves now shaped, now cornered, and now inhabited-each of us, then, an unwitting vessel made to carry the past forward. Griffiths is a master at capturing persona, and uses that gift, especially, to consider the notion of heritage-how much is inherited, how much is imposed? How much of what we believe is what we're told is true? The ambition of these poems dazzles, as does indeed their  achievement.--Carl Phillips Our titles are available online through Amazon.com and spdbooks.org.