Comparative Drama is pleased to announce the arrival of our Spring 2012 issue, volume 46.1, which includes the following contributions:
Essays
To Dazzle as Macbeth: Bisociated Drama in Philip Roth's The Humbling
James Duban
Lukács/Ibsen: Tragedy, Selfhood, and ‘Real Life’ in The Master Builder and When We Dead Awaken
William Storm
“I just die for some authority!: Barriers to Utopia in Howard Brenton’s Greenland
Siân Adiseshiah
“Where’s my Fool?” Lear Motifs in Rigoletto
Barbara Barry
Reviews
Women and Revenge in Shakespeare: Gender, Genre, and Ethics
by Marguerite A. Tassi
reviewed by Leslie Kordecki
Susan Glaspell: The Complete Plays
Linda Ben-Zvi and J. Ellen Gainor, eds.
reviewed by Cheryl Black
The Sarah Siddons Audio Files: Romanticism and the Lost Voice
by Judith Pascoe
reviewed by Amy Muse
Shakespeare and the Grammar of Forgiveness
by Sarah Beckwith
reviewed by Jan Frans van Dijkhuizen
Shakespeare’s Great Stage of Fools
by Robert H. Bell
reviewed by Robert Hornback
The Political Theatre of David Edgar: Negotiation and Retrieval
by Janelle Reinelt and Gerald Hewitt
reviewed by Yoo Kim
Manly Mechanicals on the Early Modern English Stage
by Ronda Arab
reviewed by Jennifer Low
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