o the Rock and Roll Station': Staging Authenticity in Hedwig and the Angry Inch," in the current issue of the Journal of Popular Music Studies (Volume 19, Issue 3, Blackwell Publishing). The essay considers how the performance strategies of the New York stage production of the glam-punk musical Hedwig and the Angry Inch challenges some of the fundamental discursive structures of rock authenticity particularly as they are related to gender and identity.
Tuesday, October 9, 2007
Feffer in Journal of Popular Music Studies
Steve Feffer recently published an essay, "'Despite All the Amputations, You Could Dance t
o the Rock and Roll Station': Staging Authenticity in Hedwig and the Angry Inch," in the current issue of the Journal of Popular Music Studies (Volume 19, Issue 3, Blackwell Publishing). The essay considers how the performance strategies of the New York stage production of the glam-punk musical Hedwig and the Angry Inch challenges some of the fundamental discursive structures of rock authenticity particularly as they are related to gender and identity.
o the Rock and Roll Station': Staging Authenticity in Hedwig and the Angry Inch," in the current issue of the Journal of Popular Music Studies (Volume 19, Issue 3, Blackwell Publishing). The essay considers how the performance strategies of the New York stage production of the glam-punk musical Hedwig and the Angry Inch challenges some of the fundamental discursive structures of rock authenticity particularly as they are related to gender and identity.
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